The day after tomorrow, New York will be, almost literally, a ghost town! That’s because Halloween’s traditional creepy and spooky creatures will take over the city – ghosts, of course, but also monsters, mummies, zombies, witches, goblins, black cats, and other scary apparitions that will go bump in the night. Once the kids are back from trick-or-treating and are getting their sugar rush from all the candy, you can have a Halloween celebration of your own.

It doesn’t require costumes, a witch’s brew, or howling sounds . All you need to create a Halloween-ish environment in your own home is some classical “mood” music!

On the edge of your seat…

Long before the custom of trick-or-treating appeared in the United States in the 1950s, several classical composers wrote some pretty scary music. We can’t think of anything more appropriate for a dark Halloween night! For instance, in 1886, Russian composer Modest Mussorgsky wrote a series of compositions titled “Night on Bald Mountain.” His frightening ghouls wreaking havoc on a mountain village in the middle of the night were depicted in Disney’s 2009 movie “Fantasia” Watch, listen and shudder! Then there is no less scary piece called “Dreams of a Witches' Sabbath” the final movement of “Symphonie Fantastique” written by French composer Hector Berlioz in 1830. If you can stomach allusions to witches, sorcerers and monsters assembled at a funeral, this piece is for you! Okay, let’s move on. By some accounts, Hungarian composer Franz Liszt was obsessed with all things macabre, as is evidenced in his ominous-sounding “Totentanz (Dance of the Dead)” . The piece was several years in the making and finally completed in the mid 1800s. Are you sufficiently spooked yet? We hope not, because there are two more pieces of music you absolutely must listen to on Halloween night: Russian composer Sergei Rachmaninov’s 1908 work “The Isle of the Dead” and Camille Saint-Saëns sinister tune “Danse Macabre” which the French composer wrote in 1874. We hope all this music will not give you nightmares!

We are harmless!

No matter how frightening it is, Halloween only lasts one night. By the time you wake up on November 1, you will hopefully be fearless! Of course, most classical music is not scary at all; in fact, it is soothing and uplifting. Another thing you should never be afraid of are our teachers. That’s because when they come to your Manhattan, Brooklyn, or Riverdale home or office, they will never use scare tactics!

The post Let Manhattan Guitar School Woo and “Boo” You appeared first on Hey Joe Guitar.

If you have been following our blogs, you know that we often talk about benefits of music – physical, emotional, and social.

However, there is one negative aspect as well. We are referring to the hazards of constant exposure to very loud music, which could lead to hearing loss and / or tinnitus, a very unpleasant ringing in the ears.

How could this happen? It all comes down to decibels.

Noises off

Simply put, a decibel is a unit used to measure the intensity of a sound. Studies show that that we can safely listen to music up to 85 decibels, which, in musical terms, translates into (just as an example) a normal piano practice or chamber music concert in a small auditorium. If you frequently exceed this threshold, you are putting yourself at risk of hearing impairment.

That’s because very loud noises  (above 110 decibels) damage sensitivesensory cells in the inner ear, and, over time, the hearing suffers. What does 110 decibels sound like? It is equivalent to noise blared by a power mower or jet engine.

Now, you may be wondering whether any music attains this level of loudness. The answer is yes.  The average decibel count at a rock concert is about 115, with peak passages reaching the ear-blasting 150! That may explain why many professional musicians are almost four times more likely to suffer noise-induced hearing loss, and many of them do.

Famous rockers like Neil Young, Phil Collins, Eric Clapton, and Pete Townshend are just a few among many musicians living with irreversible hearing damage because of the noise levels they have been exposed to. In fact, Townshend helped found an organization aptly named HEAR (Hearing Education and Awareness for Rockers), which spreads the message about the dangers of repeated exposure to excessive noise.

The sound and the fury

Of course, it would be a great pity to forego the pleasure of music (either as a player or listener) just to avoid the risk of hearing damage. Good news is that there are ways to prevent this condition in yourself and your children – as long as you take sensible precautions.

Even if you don’t attend too many rock concerts, chances are that you and / or your children listen to music on iPods and other MP3 players, which can easily attain high decibel levels. However, there is no need to take drastic steps and give up your personal audio equipment altogether – just practice good sense and moderation by lowering the volume and taking frequent breaks.

You can also invest in some good noise-cancelling headphones, but the best prevention (which really IS worth a pound of cure) is educating yourself and your children about dangers of excessive noise and the importance of protective measures.

Gentle on the ears

It goes without saying that our teachers know all about the effects of excessively loud music, and would never endanger your children’s ears. Such knowledge – along with other important aspects of music education like the proper technique and posture – is what distinguishes excellent teachers from the rest.

So when our teacher rings the doorbell at your Manhattan, Brooklyn, or Riverdale home or office, you can be sure that your little ones will be safe and – no pun intended – sound. After all, no matter what kind of instrument they play, they will always need their ears!

Photo by: Loic Brohard

The post When it Comes to Hearing Loss, Our NYC Guitar School is All Ears! appeared first on Hey Joe Guitar.